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...original foe, while Elliott’s iconic bicycle silhouetted against the moon in “E.T.” is briefly parodied. By alluding to well-known scenes from past films, these references are perhaps a tongue-in-cheek acknowledgement of some of the less original aspects of “Planet 51.” Though the political subtext fails to truly resonate with either audience, the film’s visual appeal and effective humor provide something for everyone...

Author: By Jenya O. Godina, CONTRIBUTING WRITER | Title: Planet 51 | 11/20/2009 | See Source »

...Bronson” offers a much more sensible portrait of the artist than it ever does of its subject. But ambitions at auto-portraiture aside, “Bronson” is, at its heart, a deeply engaging character study that suggests this man may be more (or less) than,­ but never equal to, the sum of his parts...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

...from lionizing him, Refn isn’t interested in reducing Bronson to an animal, a rebel or a martyr. The film’s haunting final scene is certainly a moment of revelation in relief with the story that Refn chooses to tell, but it’s less a moralization than a confirmation of suspicions. Throughout the film proper, however, Bronson remains a living paradox: a submissive sadist, a free slave, an absurd hero...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bronson | 11/20/2009 | See Source »

...course, perceived social stigma is less of a deterrent now. Those seeking a strip show head to gentlemen’s clubs, not theaters...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

...that it’s neither a ballet—100% dance—or a play,” says Alex “Scratch” Newman, manager of the established burlesque troupe Boston Babydolls. “There’s dance elements to it and less of a plot. It’s a balancing act and it’s a skill to pull together a good burlesque show...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

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