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Admittedly, most songs on the album last less than three minutes, making for quick, on-the-go, post-millennium punk. The creative song names also make up for the lack of uttered lyrics, with titles such as “Salt Swimmers” and “Thrills” implying an inherently poetic, rebellious symbolism. But instead of feeling a powerful sensation of anti-establishment, we’re left with a mix of strange emotions. The album builds up tension with its onerous layers of dissonance and noise, but ultimately provides no gratification. Catharis-seekers will find...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

...that is itself the album-whole. It’s dense, menacing, and groove-oriented in a way that reminds the listener of the Talking Heads’ “Remain in Light,” an album whose individual tracks tend to be lost, or at least less potent, outside the framework of the album proper. In this way, “Embryonic” could be the paranoiac subconscious of any one of the passengers aboard ship of fools that was “The Soft Bulletin.” It remains an open question...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Flaming Lips | 10/16/2009 | See Source »

...when shooting for the film began, deserves special praise for his expressive portrayal of Max, convincingly presenting him as both obnoxious brat and benevolent dictator. Max emerges as a much more nuanced and developed character in the film than his literary counterpart. He is less impish and more thoughtful, and he experiences a more profound realization at the movie’s end. The creation and destruction of the home is a recurring motif. Max is seen building forts, igloos, and king’s quarters, but none of these endure or give him the safety he seeks. Likewise...

Author: By Andres A. Arguello, CRIMSON STAFF WRITER | Title: 'Where the Wild Things Are' | 10/16/2009 | See Source »

Based on the memoirs of Lynn Barber, a renowned British journalist and less-renowned author of the seminal “How to Improve Your Man In Bed” manual, “An Education” focuses on the late adolescence of Jenny (Carey Mulligan), a London schoolgirl who enters a reckless romance with an older man. Hornby imbues the film’s script with his trademark wit and fast-paced plot development, but despite his compact and compelling writing—recognizable from earlier films like “High Fidelity?...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: 'An Education' | 10/16/2009 | See Source »

...stern looking Armenian minister shook the hand of his smiling Turkish counterpart as cameras flashed and onlookers cheered: Such is an apt summary of last Saturday’s signing ceremony of the Turkish-Armenian peace treaty at the University of Zurich. Its aim was no less than to end a century of enmity and open up the borders between the two countries. Despite all the spectacle, however, the treaty still has a long way to go; it still faces the difficult task of being ratified by both parliaments. And, realistically, the chances of it doing so are unlikely?...

Author: By Elias A Shaaya, CRIMSON STAFF WRITER | Title: Broken Olive Branches | 10/16/2009 | See Source »

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