Search Details

Word: lessing (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...body scans of Robert Pattinson and Taylor Lautner, and manifestations of Stephanie Meyer’s quixotic supernatural mysticism. A swoon-worthy cast and a genius visual effects crew are the reasons why “New Moon,” with a budget of only $50 million and less-than stellar critical reviews, has already grossed $704 million worldwide...

Author: By Lauren S. Packard, CRIMSON STAFF WRITER | Title: 'New Moon' Panel Unveils CGI Tricks | 2/9/2010 | See Source »

It’s easy to put off sightseeing—“until it’s warmer,” I tell myself, “until I have less work.” Well, friends, it won’t be warm for months and work seems endless, so it’s time to stop making excuses, lace up those walking shoes, and soak up the local arts scene...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Hey There, East Cambridge, So Nice to Finally Meet You | 2/9/2010 | See Source »

...Museum in Washington, D.C., the Whitney Museum in New York, and the San Francisco Museum of Modern Art. As I stood in the center of the three sculptures, looking up at the arches, I was reminded of standing in Notre-Dame. “Gate House” is less awe-inspiring, sure, but also less intimidating—like an outdoor cathedral for kids...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Hey There, East Cambridge, So Nice to Finally Meet You | 2/9/2010 | See Source »

...these appearances is less than impressive, however—that of Horace Andy, a reggae musician and an oft-collaborator of Massive Attack. Andy appears on two tracks to a disconcerting effect, as his voice feels grossly misplaced in the middle of these songs. For instance, he lends his deep, raspy bass to the first single off the album, “Splitting the Atom,” and his vocals sound too breathy for the song’s sleek backdrop, distracting from one of the best musical compositions on the album...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

...uninteresting electric guitar riffs—which in previous tracks drown out otherwise intricate instrumentation—allows the acoustic guitar to shine through. Smith’s clear and tender vocals are here successfully highlighted. Liberated by the more varied melody, Smith weaves a narrative that is less mournful and more hopeful than those of the other tracks. For just over two minutes the clouds part, and Midlake captures a poignant sense of winter that is not all doom and gloom...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Midlake | 2/9/2010 | See Source »

Previous | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | Next