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Word: lester (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Without troubling thought, the Proposition is funny. To be sure, it is not consistently funny. The banal Lester Maddox, Leave It to Beaver, and cigarette clinic jokes are only touched up leftovers from before, and the Nixon Messiah is a disappointing adventure beyond the range of the actors' voices. But you don't notice until you've left and your chuckles turn to resonant Harvard sighs. Ken Tigar, Judy Kahan, and Fred Grandy are funny. And I'm an escapist at heart anyhow. SCOTT W. JACOBS

Author: NO WRITER ATTRIBUTED | Title: The Proposition | 2/10/1969 | See Source »

...Freedom Farm Co-op" account that Wellford and Lester Salamon, teaching fellow in Government, opened last week in a Cambridge bank will remain open, and Wellford and Salamon are now devising plans for future fund-raising...

Author: NO WRITER ATTRIBUTED | Title: $1300 From Mass. Saves Mississippi Blacks' Co-op | 2/5/1969 | See Source »

...political isolationism-are benefiting, or about to benefit, from the new crops and new techniques. By themselves, the new farming methods are, of course, not the final answer. But they do provide an urgently needed respite. "We've been able to buy some time," says U.S. Food Expert Lester Brown, "so we can study further how to control the world's population...

Author: /time Magazine | Title: World: THE HOPE OF CONQUERING HUNGER | 1/31/1969 | See Source »

...They've removed Dickens' reformist zeal, but substituted some colorful period costumes, some excellent songs by Lionel Bart and some perfectly stunning sets by John Box. The result is the best musical of 1968. Carol Reed directs a large cast (including Ron Moody, Shani Wallis and Mark Lester as Oliver) with wizardly precision...

Author: /time Magazine | Title: Television: Jan. 17, 1969 | 1/17/1969 | See Source »

Petulia, a sad and moving film by Richard Lester, shows its director capable of insight into his characters and instinct toward his actors. Lester's cinema is generally defined by tricky and overcontrived camera gymnastics (Petulia has its share of this, and none of it is good)--but here we have him leaving his camera rolling when his actors begin to groove, plainly sacrificing editorial cleanliness for dramatic punch. Petulia's occasional messiness is much to Lester's credit: the film ends at least six times in its attempt to chronicle a relationship realistically, but just before its strange construction...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

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