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Word: let (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...basic plot is quite simple. Alexander Gartempe is a farmer, a hard-working farmer (because of his shrewish wife La Grande's relentless driving) who has acquired some 300 acres--quite a farm by American, let alone French, standards--which he must cultivate. By himself, of course...

Author: By Jerald R. Gerst, | Title: Alexander | 7/8/1969 | See Source »

Judex is designed to let all the characters look at what is going on. Its slow pacing frequently pauses while we and the characters savor the beauty of the world. This quality of leisure gives the film the true feeling of its period, as does the quality of its images: less recorded action than set-pieces, tableaux. Characters are presented behind windowpanes and in portraits, shown as individuals first and only later as figures related to other people. Each character is complex and complete, composed of light and dark...

Author: By Mike Prokosch, | Title: Judex | 7/8/1969 | See Source »

Anita O'Day come on next, singing "Let's fall in love--in the rain." I did. This is the sort of woman you want to hear in a smoky, grimy club when you've got some serious drinking to do. Full voice, swinging sound, a sexy dame. A classic of her genre...

Author: By Jerald R. Gerst, | Title: Newport Jaz: I | 7/8/1969 | See Source »

...inerrant in the original writings, and as the supreme and final authority in faith and life." Untold millions of people agree. Could any but a sectarian mind believe that a loving, merciful, just God would harden Pharoah's heart (Exodus 11:10) so that he would not let the Israelites go, then kill in each Egyptian family because he would not (Exodus 11:29)? Or kill everybody on the earth except the few people in Noah's Ark? Surely the slaughtered children were not to blame! Your sectarianism may be less crude than at the Rhode Island College, but sectarianism...

Author: NO WRITER ATTRIBUTED | Title: WHY NOT ONE RELIGION? | 7/8/1969 | See Source »

...quick rundown, Spender typecasts French student-rebels as "romantic," West Germans as "theoretic" and Americans as "hysterical." Columbia's wildly improvising white students ("Let's take a hostage!") he accuses of being more neurotic than the blacks, who, he says, had limited but precise objectives. He chides students for being in love with revolution-"perpetual change, perpetual spontaneity"-for its own sake, as if it were a marvelous formula for releasing all the virtues, including love. On the other hand, Spender complains, given half a chance student-reb els go all brisk, like "frustrated bureaucrats." (As he observes...

Author: /time Magazine | Title: Books: Sons of the Revolution | 7/4/1969 | See Source »

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