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...thought out but disappointing. The play is one of Shakespeare's most vivid, bloody and craftily psychological works. So was Verdi's operatic treatment when he finally finished revising it 18 years after its 1847 premiėre. Strehler's stylized production is bloodless and static; lethal emotion is indicated by second-rate symbols. Once they seize the throne, Macbeth and his lady trail around in long, heavy robes apparently intended to represent both royalty and their guilty burden. But the onlooker simply worries about whether, in their ceaseless circling, one may trip over the other...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

...effect, plainclothesmen and uniformed cops were out in force, and anything that moved was fair game. At one point, a two-man team sighted three black youths on a dark street corner. "What are you doing out now?" demanded one cop as his partner covered the trio with a lethal-looking 12-gauge shotgun. "We were just coming home from skating, man," said one youth. "You're skating," barked the cop, "right to jail." And off they went...

Author: /time Magazine | Title: CITIES: A Long, Hot Summer for Detroit | 9/6/1976 | See Source »

...city dweller's old dream: a cottage far from the lethal crowd, perhaps in a little town where the air is sweet, the living easy and, most important, the streets are clean of muggers, rapists and Saturday night specialists...

Author: /time Magazine | Title: The Law: Gaining on the Cities | 9/6/1976 | See Source »

...system-and block the formation of antibodies. These are the wondrous proteins designed by nature to seek out invading cells, including transplant tissue, and set the stage for their destruction by the white cells. At best, though, immunosuppression is a blunderbuss approach that also leaves the body unshielded against lethal germs and sometimes apparently cancer...

Author: /time Magazine | Title: Medicine: The New Kidneys | 9/6/1976 | See Source »

...Lethal Dose. Chekhov's dictum about never showing a gun in the first act unless it is used in the third applies to poisoned pills as well. Jakub's lethal dose leads to a death that cries out to be interpreted as either an accidental murder or a murderous accident. Playing existential detective, Kundera shows how all the major characters are implicated. But despite some amusing farcical turns, the verdict is heavily weighted toward a formulation that amounts to a facile existential copout: we are all murderers...

Author: /time Magazine | Title: Books: Magic Molehill? | 8/30/1976 | See Source »

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