Word: lets
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Dates: during 1930-1939
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...trade union leaders and others who feared reprisals had fled to Valencia. Over the Madrid radio Foreign Minister Julian Besteiro, British-backed negotiator who was largely responsible for turning the face of Madrid from defiance to surrender, counseled: "Madrileños! . . . The moment has arrived for avoiding further bloodshed. . . . Let us all be calm and serene, at present, accepting the surrender of Madrid as the best means of salvation. . . . Viva España!" Thus ended, after two years, four months and 21 days, one of the most heroically defended seiges in history...
...stunt is never so startling the second time, and The Hot Mikado, though much more audacious than the Federal Theatre version, suffers from tagging at its heels. Further, when the Swing Mikado is willing to let itself go, it becomes a gayer and more abandoned romp. But simply as a show, The Hot Mikado wins hands down. It is gaudy, glittering, foot-wise, fast. It spurns Gilbert & Sullivan's Savoy operas for Harlem's Savoy ballroom. It is less profitably compared with the Swing Mikado than with such spirited colored shows as Blackbirds of 1928, Shuffle Along...
...pins scattered like cats off an alley fence. Then, ten more times without a miss, Bowler McGeorge's pet two-finger ball socked sweetly into the 1-3. Intent on remembering the groove, Bowler McGeorge had not been watching the score. Like most bowlers, he was content to let his string of strikes run itself out before finding out where he stood. But watchful eyes among the 300 afternoon spectators in Cleveland's vast Lake Side Auditorium spotted what was going on, and the murmur and commotion aroused McGeorge to what he had worked...
...alley now the pins looked hazy. Bowler McGeorge felt a little sick at his stomach. His palms sweated so that he had to dry them. He dabbed his fingers with chalk, got a grip of sorts on himself, picked up the ball, sighted down the maple strip, and let fly. It was his only erratic shot. There was a gasp as it crossed over, broke toward the Brooklyn (left) side. But on the left side is the 1-2 pocket, which bowlers sometimes call Last Chance Gulch, and right in there Bowler McGeorge's last straying hook nudged...
...when Bruce Rogers started his career, U. S. books were as dingily printed as they were apt to be turgidly written. They provided an aesthetic sensation for readers not unlike that of walking along a muddy road in the dark. Bruce Rogers' imaginative, lucid, unaffected craftsmanship let air and light into book pages. Other designers have matched his craftsmanship, but not his creativeness...