Word: lets
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Dates: during 1930-1939
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Last week the Latvian Ministry of Public Welfare set out to prevent the spread of tuberculosis by warning the population with posters: DO NOT LET YOURSELF BE KISSED; DO NOT KISS AN OTHER'S HAND. Officials entrusted with putting the admonition into effect had a job on their hands. Although the incidence of Latvian tuberculosis is high (tubercular death rate in the capital, Riga, is 120 per 100,000), the incidence of Latvian hand-kissing is much higher...
...Let Freedom Ring (Metro-Goldwyn-Mayer). Latest Hollywood discovery in box-office lures is the value of Americanism. Flag-waving of the George Cohan variety has always been a box-office standby, but the cinema's new patriotism goes deeper into the last refuge. It stems from: i) a sudden awareness that in failing to capitalize the forces which produced the New Deal, John L. Lewis and the Wagner Act, the cinema has missed a golden opportunity; and 2) the general eagerness of producers to forestall a wave of U. S. antiSemitism, which they greatly dread...
...Let Freedom Ring offers a story of the sort which has always been traditional for all Westerns. The stirrings of Hollywood's social consciousness are indicated by the fact that the villain whom the hero (Nelson Eddy) routs is not a cattle rustler nor a bandit but a rapacious railroad owner (Edward Arnold), who is trying to hornswoggle sturdy ranchers out of their land. Thus, while conforming to type, with a full quota of fist fights, shootings, holdups and spectacular conflagrations, Let Freedom Ring reaches its climax when Eddy delivers a rousing speech which convinces railroad workers that they...
...telephoned his sisters Elizabella and Giuseppina told them his election gave them his blessing. He visited a devoted friend who had been ill during the conclave-Francesco Cardinal Marchetti-Selvaggini. the ailing Prince raised himself to bow, murmering: "Holy Father. . . ." But the Pope said: "Ah, not for tonight. . . . Let me still be your Eugenio to my Francesco...
Last week the Museum of Modern Art in Manhattan put on exhibition the results of an interesting challenge. The challenge was made to architects last autumn and its terms were substantially these: let's see you design an intelligent theatre, if possible. The challenger was a hopeful organization entitled the American Na tional Theatre and Academy, whose advisory board includes such theatre folk as Katharine Cornell, Maxwell Anderson, the Lunts, Lee Simonson, Robert Edmond Jones. Because these people believe that future health and expansion for the U. S. theatre lies in the hinterland rather than in hectic Manhattan...