Word: letting
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Dates: during 2000-2009
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There is no simpler way to entertain an audience than to let us in on auditions; we just love to watch the cream rise to the top. I'd have been pleased if Fame, the updated version of the 1980s hit movie about a New York high school for the performing arts that spawned the long-running television series, had just been one long string of good, bad and ugly auditions. Anything to prolong the pleasure of watching disapproval spread like an ink stain across the face of Lynn Kraft, the dance teacher played by Bebe Neuwirth, as she spies...
...perverse sexuality and racism—without much consideration of the implications of its wholesome family marketing.Meyer’s exploitation of the genre can be contrasted with the recent successes of the series “True Blood” and the Swedish film “Let the Right One In,” which both pay respect to the symbolic origins of vampires while simultaneously playing into modern consciousness. The latter is as incredible as it is frightening, as it recreates the starkly alienated landscape of most childhoods through the eyes of a vampire girl...
...turns them over, she peers at them, she reshapes them, as if searching for some secret behind the letters—“It’s daybreak. The break of day... What breaks in daybreak?”—Atwood won’t let words rest. In the “The Year of the Flood”, she unravels and warps them, so that the surrealistic world she creates seems to stem from a perversion of its own language. There are pigoons (pigs with human organs) and mo’hairs (sheep which grow...
...film’s internal logic. The Quantrell Bishop storyline is abandoned in order to focus on Paul’s meeting with Philadelphia Phil, but in the scope of the film, this makes sense. Paul never follows through on his commitments or interactions. He is content to simply let things go, so long as he can resume cheering for the team he loves. Siegel, formerly a writer for The Onion, has a knack for crafting characters that aren’t exactly living the dream. This was evident in “The Wrestler” and is echoed...
...maturity, most evident in the album’s pace. “Backspacer” has several of the slower, contemplative songs that have often been the best showcase for the band’s musicianship and Vedder’s vocals. In the past, the ballads were let down by overbearing, even clumsy lyrics; now, the lyrics are simpler but also more poignant. “Oh, I’m a lucky man / To count on both hands / The ones I love / Some folks just have one / Yeah, others they got none,” Vedder sings...