Word: level
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...purpose of dismantling was twofold: 1) to compensate, in some measure, the conquerors and victims of Nazi Germany; 2) to keep future German industrial production "down to a "safe" level. In 1946, with France invited into the quadripartite administration of Germany, the Big Four agreed on a maximum level for Germany's industry keyed to an annual steel production of 5.8 million tons. About 400 war plants were to be dismantled (in a few cases, destroyed) as a matter of military security; about 1,500 other plants not directly engaged in war production, called "surplus," were earmarked for possible...
...speed up Germany's recovery, the Western powers in 1947 raised the permitted level of steel production in West Germany to 10.7 million tons, and several hundred surplus plants were dropped from the category set aside for dismantling. The most recent working list covered 796 plants and parts of plants. Of these, 179 were in the U.S. zone, 125 in the French zone, 492 in the British zone. By last month the U.S. had dismantled all but two of the listed plants in its territory, and shipped most of them to Germany's former enemies. The French...
...none has succeeded so far. Many experts believe that color television should be postponed until such a tube, or something equally good, has been developed. To adopt either the CBS or the RCA system in the meantime, they argue, would be to freeze color television at a low level...
...maintain its academic standing the College must have regulations relating to studies. It must also regulate its students, while they are within its jurisdiction, in keeping with the accepted level of public morality, whether that level is maintained in practice or not. In Harvard's case, the alumni as well as the public must be satisfied that the College is not condoning violation of these mores within its jurisdiction; continued alumni support is absolutely necessary to the College...
...himself to accommodate the tremendous developments in the use of musical materials during the past hundred years. Only when such a theory is developed and taught will composers have the requisite technical skill to be masters of their craft. They must, he holds, become proficient at the most elementary level of composition, the management of tones, and this can come only from understanding. "Then maybe we avoid some accidents...