Word: leveler
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Dates: during 1950-1959
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...courses. A professor at Columbia until a year ago, Stein headed their exceptionally successful modern language program, so well that Levin deems him "the best man in the country for teaching beginning German." He teaches two sections, one in German B and one in German C, and an upper-level course; he also heads a group of five instructors and fifteen part-time assistants ("all in training to become language teachers") concerned with lower-level German instruction. Stein came to Harvard convinced of the value of the direct method of instruction, and in the last year he has made several...
...from the original proposal. "Harvard College should assume a full and a conscientious responsibility for training men in the nature of the heritage which they possess, and in the responsibilities which they must assume as free men for its enlargement and perpetuation." Although a majority of the lower level courses have remained historical, and thus concerned with the "nature of the heritage" the responsibilities implied have not been assumed...
...Redbook is seldom mentioned, too, in the General Education Committee, although it has been used to prevent introduction of lower level courses in Fine Arts and music. Most of the Committee seems to think that the Redbook no longer applies to Harvard, if it ever...
...effects of the change in General Education's environment are particularly clear when the lower level courses proposed in the Redbook are compared with those now given. The Humanities course was to be entitled "Great Texts of Literature." "The aim of such a course would be the fullest understanding of the work read rather than of men or periods represented, craftsmanship evinced, historic or literary development shown, or anything else. These other matters ... should be left for special education." It is difficult to contend that recent additions to the Humanities curriculum follow this outline...
...delectable trifle crisply enough, though the same strings that were so impressive in the Bach sounded rather thin here. Even early Mozart can stand a good 25 violins. But Mr. Harbison has done good work with his players, making their attacks sharp, their rhythm excellent, and even raising the level of intonation. There is reason to expect more good things from the orchestra...