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Very few countries, such as Belgium and the Netherlands, have chosen the former option on a nationwide level, and here in the U.S., Washington and Oregon have followed suit. But even without such drastic permissiveness, there is a link between Fukuyama’s predicted champion, liberal democracy, and a rejection of constraint. A democracy that attempts to retain any sense of right and wrong beyond the obvious indicators of injury and illness faces an uphill battle in light of this aversion of conflict...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

...more traditional listeners may have cringed at this reinterpretation of one of Beethoven’s most famed works, Hagebölling said that her goal was to “give listeners a totally new experience… to allow viewers to understand the music on a different level...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

...about,” Rakesh Khurana says. “Part of it is in the classroom—a really important part—but part of it is outside of what happens in the classroom, and I think a lot of that happens at the House level...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New Cabot Masters Strive to Motivate | 4/6/2010 | See Source »

...though the two came from different cultural backgrounds and religious upbringings, Rakesh Khurana says such “surface-level differences” mattered much less than their shared values. This, he says, is integral to the modern college experience, where many people from various backgrounds have the opportunity to connect...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New Cabot Masters Strive to Motivate | 4/6/2010 | See Source »

Similarly, fifth track “Alpha Shallows” represents a new level of passion in Marling’s repertoire. The song begins tamely enough: at first, only a soft, yet urgent acoustic guitar and quiet, staccato strings support Marling’s voice as she sings such characteristically poetic lyrics as “And his heart was full of fire at the man he had become / And his soul was seldom higher with the falsities of fun.” But the song gradually intensifies, boasting, at its climax, full choral accompaniment, deep, forceful piano chords...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

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