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Word: levell (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...level briefings, on four successive afternoons in a State Department conference room, Acheson and Snyder listened to their experts lecture on the British crisis and all its implications...

Author: /time Magazine | Title: THE NATIONS: Briefing for Washington | 9/5/1949 | See Source »

With well-paced acts, some high-level ad-lib talk and a genial approach, This Is Broadway last week was one of the first of the summer TV sustaining shows to nab a fall sponsor-AVCO's Crosley Division (radios & TV sets). Though gratified by the windfall, Fadiman (who had been against the serious approach from the beginning) had urged all along that Broadway be changed from an hour-long show to its present 30 minutes. "One thing about this show," he once mused, "it's delightfully improvable...

Author: /time Magazine | Title: Radio: My Trouble Is . . . | 9/5/1949 | See Source »

...documented his conclusion that the rate of Soviet production per man-hour of work was less than one-eighth that of the U.S. "Economic progress in Russia," said Clark, "has been uncertain and slow, and the most recent figures indicate that productivity is now only at about [its] 1900 level...

Author: /time Magazine | Title: ECONOMICS: Back to 1900 | 8/29/1949 | See Source »

...agricultural stagnation. Soviet productivity, rated in 1900 at .15 IUs (15? worth of goods per man-hour, at U.S. 1925-34 prices), dropped to .10 after the land reforms of 1918-19; it rose to .16 in 1927-28, but forced collectivization of farms in 1928-33 pulled the level down to .12. No Soviet statistics for the war years are available, but by 1947 Soviet productivity had climbed back to .14 IUs, just under the 1900 level. The U.S., on the other hand, almost tripled its man-hour output in these years, hitting a rate...

Author: /time Magazine | Title: ECONOMICS: Back to 1900 | 8/29/1949 | See Source »

Such dead-earnest studies as Joel Reeves's shadowy Still Life in Green and Bruno Sepka's oil of a snowed-in tenement district which he called Man's Houses, raised the exhibition's level of technical competence but did nothing to lighten the atmosphere. Minneapolis' Walker Art Center sent six paintings that demonstrated how diversely students in a progressive art school will advance. They ranged from Reginald Anderson's Figures, a spiky, thin-air abstraction, to Roland Thompson's carefully realistic Culvert. William Chaiken's patchwork Tryst at the Fountain...

Author: /time Magazine | Title: Art: Sneak Preview | 8/29/1949 | See Source »

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