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Word: leveller (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Side quickly remedied the situation and couldpossibly be the panacea for any level of boredomor depression. Kicking the audience into actionwith a cool pairing of freestyle rap and funk,B-Side infused the Pforzheimer dining hall withmood melody like it had never experienced before.Key to B-Side's performance were the sleekstylings of the Rhodes keyboard player, the punchytones of the upright bass and the drivingexactness of the percussionist, all infused with afreestyle rap intuition that few groups can calltheir...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: Fun in Pforzheimer | 4/17/1998 | See Source »

...description hardly convincing for admirers of the silky lushness of, say, the novels of Rushdie or Morrison. Much more than style, however, the ideas expounded in the novel and the way author Jonathan Lethem structures them raise this book to its own, medium-high pedestal. At the most basic level, the novel is a literary reenactment of John Ford's 1956 Western The Searchers, which serves both as a tribute to the Great American cinematic genre of the Western and as a questioning of American notions of frontier and otherness. At another level, the book is a coming...

Author: By Andres A. Ramos, CONTRIBUTING WRITER | Title: Identity and Ambiguity: Letham's Portrait of the West | 4/17/1998 | See Source »

According to Marius, the Boylston Contest hasseen a decline in the number of participants overthe years, although current competitors retain thehigh level of skill...

Author: By Alan E. Wirzbicki, CONTRIBUTING WRITER | Title: Juniors Capture Boylston Prizes | 4/17/1998 | See Source »

Cammy says he sees involvement in the game asan extension of his role as a House tutor. Byinteracting with students on a personal level,Cammy finds himself drawn closer to a wider rangeof personalities...

Author: By Linnea E. Housewright, CRIMSON STAFF WRITERS | Title: Natural Born Killers Stalk Quincy House in Do-or-Die Game | 4/17/1998 | See Source »

Crammed into the elegant and (conveniently) parlor-like Winthrop Junior Common Room, HRDC's The Cocktail Party should be seen first and considered later. Party because actually seeing the floor-level set past twelve rows of upper-class attendees requires great skill and cunning and partly because the play is riddled with T.S. Eliot's innocuously cryptic language, no distinct message leaps forth from the play. Rather, various lines worm their way into the audience, reappearing days later as pertinent homilies for the daily personal lives of audience members...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: T.S. Eliot Mixes an Angst-Ridden `Cocktail' | 4/17/1998 | See Source »

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