Word: levels
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Dates: during 1960-1969
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Other State Department officials were more willing to take a chance. Their argument was that the strategy of maximum pressure puts the burden of cutting back the level of fighting entirely on the enemy. Sooner or later, U.S. pressure results in Communist counterpressure. The question is essentially whether or not the possibility of reducing the level of combat and taking another step toward total disengagement from the war is worth the military risk involved. Last week the Administration decided that...
...Nixon concept of conducting the war-withdrawing troops gradually, dropping the level of combat and sending fewer G.I.s out on missions-seems a limited step in the direction of the "enclave theory" that was advanced in 1965 by retired Lieut. General James Gavin. Under Gavin's plan, American troops would withdraw to garrisons in Saigon, Cam Ranh Bay and Danang, and concentrate on upgrading the South Vietnamese army. However, the new orders do not entail an actual movement of U.S. forces to fixed enclaves, as Gavin proposed...
Plainly, the Administration's decision to reduce the level of combat is a gamble. Vice President Nguyen Cao Ky last week proposed a South Vietnamese pullout from the Paris peace talks and accused the U.S. of lagging in its efforts to train and equip ARVN troops. A great deal will, of course, depend on the ARVN's willingness and ability to assume a greater share of the fighting. Despite the dangers, the risk seems worthwhile. Last fall, when the Communists pulled three divisions back across the DMZ, Averell Harriman for one was convinced that it was an earnest...
...simply that it has sent a flat amount to a state chapter. Individual members are told not to contribute more than $99 to the A.M.A. national fund, thereby excluding themselves from the federal law which requires that contributors giving $100 or more must be named. In any event, state-level gifts are hard to trace: only 43 states have reporting laws; these are honored mostly in the breach...
Woody believed, too, in more than the importance of teaching people how to listen. He knew tat amateurs could be taught to make music--and make music well--through singing. As conductor of the Harvard Glee Club and Radcliffe Choral Society for more than tree decades, e elicited a level of performance that made these institutions world-renowned--and he did this without any condescension to singers of concessions to difficulty. Despite the fact that he had, as a Harvard undergraduate, been turned down by the Glee Club for having a poor voice, he became the greatest choral conductor...