Word: levels
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Dates: during 1960-1969
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...better life. Whatever their present condition may be, many obviously find it better than their former one, as evidenced by the fact that relatives have often followed families into the U.S. The Chicanos do not speak in one voice but many, follow no one leader or strategy. Their level of ambition and militance varies greatly from barrio to barrio between Texas and California...
Despite this, the seasonal and sporadic nature of the work keeps total income far below the poverty level. Average family income is less than $1,600 a year. There is no job security, and fringe benefits are few. If they are migrants, the workers must frequently live in fetid shacks without light or plumbing (though housing, bad as it is, is frequently free or very cheap.) As a result, many have moved to the cities, where even unskilled labor can find work at decent wages...
...longshoremen's union used its muscle to win the first farm-labor contract for sugar-cane workers in 1945, did unionization take hold. Agriculture is outside the jurisdiction of the National Labor Relations Board, which has provided federal ground rules for industrial workers' unions since 1935; on a national level, there is no similar mechanism for farm workers...
Director Gill has done more, however, than provide two balanced leads shining against a dull background. His surprising accomplishment has been to elicit a new kind of balance: somehow he has managed to pull the rest of his cast up to the level of his Beatrice and Benedick, almost to a man. Although the text rises and sags, all the component groups of characters come across on a rather evenly balanced level; it is this that makes the play seem better than it really is. This Much Ado is a real company show. Just about everyone speaks cleanly, crisply, intelligibly...
...physical beauty of their setting (stressed by the camera's motion), becomes more pointed in a ten-minute continuos track which follows their car as it passes a line of autos stopped on the highway. The horns that assault one throughout the scene act on them only as low-level irritation. When they come on the front of the line and discover that a car wreck (corpses strewn on the bank) is the cause of the delay, they simply accelerate past; the camera's move into high-angle, giving the shot of bloody bodies and smashed cars a mood...