Word: leventritt
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Down to Eight. Graffman's first major achievement came in 1949, when he won the Leventritt Award. It was an important step up, but it did not bring instant success. The next few years were spent doing the town-to-town Community Concert circuit. In 1964, he refused to play before a segregated audience in Jackson, Miss., and that temporarily knocked the props from under his career: the following season he was able to pull down a mere eight bookings. This season, Graffman's schedule calls for 100 appearances. "That's too many by 25," he says...
...Oklahoma City Symphony and the Quebec Symphony. The Boston Symphony and the Japan Philharmonic are in the second year of an exchange agreement whereby two string players from each orchestra swap places for a season. And the promising youngsters keep coming: co-winner of this year's prestigious Leventritt Award was Korean Violinist Kyung-Wha Chung, 19, and second spot in the 1966 Tchaikovsky Competition in Moscow went to Japanese Violinist Masuko Ushioda...
...first prize includes a series of solo engagements with such orchestras as the Cleveland, Chicago and New York Philharmonic, so it is no wonder that the piano and violin competitions sponsored by Manhattan's Edgar M. Leventritt Foundation have helped launch many an illustrious career. Pianists Eugene Istomin, Gary Graffman and Van Cliburn and Violinists David Nadien and Itzhak Perlman are among the performers who got an early boost from the award. Since the stakes and standards are so high, the judges occasionally pick no winner when they feel that the candidates are not ripe for major concert appearances...
...last week at Carnegie Hall, the Leventritt jury outdid itself. It ranked the four violin finalists so closely that it took the unprecedented step of asking each to play again. Then, for the first time in the competition's 27-year history, it named two winners: Korea's Kyung-Wha Chung, 19, and Israel's Pinchas Zuckerman, 18, both scholarship students at Manhattan's Juilliard School of Music and products of eminent Juilliard Teacher Ivan Galamian...
Both performers are clearly ready for the wider exposure the Leventritt award will bring. "Now," says Pinky, "the serious business is starting." Meantime, the other business continues. Three hours after the competition, Pinky was back at Juilliard for the dress rehearsal of a student opera production of The Rape of Lucretia, in which he is just another fiddle player...