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Word: leveretts (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Winthrop finished second in the final scoring with 1606 3/4 points while Dunster, who has won the trophy for the last four years, slipped to third place this year with a total of 1403 3/4. Following the Funsters, Lowell, Adams, Eliot, Leverett, and Dudley finished in that order. Kirkland's victory this year marks the ninth time that they have won the trophy...

Author: NO WRITER ATTRIBUTED | Title: Deacons Clinch Straus Trophy With Track Win | 5/21/1957 | See Source »

...eventually won the meet for them. Kirkland actually had only one first place, in the javelin, but it was the only House to score in every event. It finished with 57 points, 5 ahead of second place Adams. Winthrop, Lowell, Eliot, and Dunster were the also-rans. Dudley and Leverett did not score...

Author: NO WRITER ATTRIBUTED | Title: Deacons Clinch Straus Trophy With Track Win | 5/21/1957 | See Source »

Although there was conjecture last week that the Klemm twins, who battled police in Leverett House, may have been using peyote, police authorities have not directly linked the twins' case to that of the student implicated last night...

Author: NO WRITER ATTRIBUTED | Title: Police Seize Student For Drug Charge | 5/16/1957 | See Source »

Windbreakers would not cure Harvard tennis, but they would be a step to help a seemingly hopeless disease: there are too few courts; there are no clay courts for everyone's use. The teams, about one one hundred-fiftieth of Harvard, alone can touch a Harvard clay court, and Leverett's one court may give way to house-building; the courts are spaced too awkwardly close to one another; the courts are severely cracked...

Author: NO WRITER ATTRIBUTED | Title: The Waste Land | 5/13/1957 | See Source »

David Gross is a pianist with plenty of technique and musical understanding. At Leverett House Sunday afternoon he played works by Mozart, Beethoven, Chopin, Mendelssohn, and Brahms. Gross performed with breadth of conception; he plays in continuous wholes, in entire pieces, rather than in contiguous notes and phrases. This is an elusive quality, more to be felt than analyzed, but it is a considerable merit and without it music cannot have true formal coherence...

Author: By Bertram Baldwin, | Title: David Gross'Recital | 5/7/1957 | See Source »

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