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...carved out careers for ourselves without help from Radcliffe," says Muriel Levin Laskin, who after six years went to medical school and now practices as a psychiatrist in New York, teaches on the faculty of two medical schools and has full-time practice. "Not having found a man I wanted to marry, I could pursue a career...

Author: By Jenny Netzer, | Title: Harvard, Radcliffe Classes Reunite After 25 Years | 6/9/1975 | See Source »

...since he could have provided some of the Washington tidbits in the book; Dinitz was former Premier Golda Meir's top political assistant and presumably was well briefed on even her private conversations with Kissinger. Rabin has promised to root out the informers, but when TIME Correspondent Marlin Levin asked Golan last week if he expected his sources to be uncovered, the writer replied, "Never...

Author: /time Magazine | Title: ISRAEL: Tales of Henry, Told Out of School | 5/26/1975 | See Source »

Works of Tchaikovsky, Beethoven, and Brahms; Ellen Bridger, cello, and Beth Levin, piano; Lowell...

Author: By Josepit Straus, | Title: Classical | 5/8/1975 | See Source »

...published lectures. Of his earlier essay, "Tradition and the Individual Talent," continually applauded and sometimes used as propaganda by conservative English departments trying to dictate classical educations, he says it was "perhaps the most juvenile." Harry Levi '33, Irving Babbitt Professor of Comparative Literature, saw Eliot speak when Levin was an undergraduate, and he's seen many of the Norton lectures since then. When asked which lecture meant the most to him, he said that Edwin Panovsky's presentation. "Early Netherlandish Painting: Its Origins and Character," given in 1947-48, was "most stimulating, a brilliant exposition of art history using...

Author: NO WRITER ATTRIBUTED | Title: The Mystique of the Norton Lectures | 4/7/1975 | See Source »

...Levin said the Norton lectures are valuable because they get practitioners in the arts to set out their theories. Igor Stravinsky's lectures in 1939-40 on "The Poetics of Music in the Form of Six Lessons" are strong examples; they're the only lectures to be given in a foreign language, French, Aaron Copland was the Norton lecturer in 1951-52 with "Music and Imagination." And in 1956-57 the painter Ben Shahn not only gave "exceptional lectures" on "The Shapes of Content" but he set up a studio in the basement of the Fogg museum, where he allowed...

Author: NO WRITER ATTRIBUTED | Title: The Mystique of the Norton Lectures | 4/7/1975 | See Source »

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