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...Fontana and Barry Levinson's Homicide was humanities, a character-driven mix of philosophy, religion and Dostoyevsky. Unsurprisingly, then, it was the first department to lose its budget, getting axed at nbc last spring. Now writer-creator Fontana says he and Levinson intend The Beat (UPN, debuts March 21, 9 p.m. E.T.) to delve even deeper into the inner lives of cops. "I'm less interested in the cases than in the effects of them on these guys," he says...

Author: /time Magazine | Title: Television: Fighting Inner Demons | 3/27/2000 | See Source »

...show uses a novel trick to convey its dual focus: the personal-life scenes are shot on film, police scenes on digital video. The digital scenes are jarring (part Blair Witch Project, part 1981-era Duran Duran video), but Levinson says they mimic the "voyeuristic kind of approach" of shows like Cops. Says Fontana: "You want [channel surfers] to stop and say, 'What the hell is that?'" That might also describe a typical Homicide fan's reaction to UPN mates like WWF Smackdown!, but entertainment president Tom Nunan says the show is a good match for UPN: "We do things...

Author: /time Magazine | Title: Television: Fighting Inner Demons | 3/27/2000 | See Source »

...Barry Levinson...

Author: By Cheryl Chan, CONTRIBUTING WRITER | Title: Levinson Revisits Baltimore in Liberty Heights | 1/14/2000 | See Source »

...semi-autobiographical account of director Barry Levinson's (Rainman, Good Morning, Vietnam) childhood in Baltimore, Liberty Heights is the fourth in his series of Baltimore pictures, following Diner, Tin Men and Avalon. Not failing the critical success of those earlier films, Levinson's latest offering is an incredibly tender, poignant and sweet account of a town where everyone is simply trying to figure out what it means to be anything--white, black, Jew, good...

Author: By Cheryl Chan, CONTRIBUTING WRITER | Title: Levinson Revisits Baltimore in Liberty Heights | 1/14/2000 | See Source »

...midst of this delicate situation that Levinson has chosen to set his exploration of identity, and the beauty of the film is that with so much potential for giving offense, Levinson is unafraid to discuss politically incorrect issues or to portray stereotypes as much as he wants, and produces a film which conversely, speaks volumes in subtleties about identity and race and religious relations. Unafraid to offend therefore, the film is respite with wickedly humorous moments, such as when Van insists to his friends that men from minority races are better endowed, or when Ben dresses up on Halloween...

Author: By Cheryl Chan, CONTRIBUTING WRITER | Title: Levinson Revisits Baltimore in Liberty Heights | 1/14/2000 | See Source »

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