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Undeterred by the minor literary scandal that ensued and obviously a sucker for a rattling good (if wildly improbable) yarn, writer-director Barry Levinson proceeded with his screen adaptation of the story. In doing what a filmmaker must do--strip a book to its narrative essence--he has perhaps resolved whatever controversy may still cling to Carcaterra's work. We now see clearly that the author's primary source wasn't life but movies...

Author: /time Magazine | Title: CINEMA: CRIMES OF THE HEART | 10/28/1996 | See Source »

...four are sent to the Wilkinson Home for Boys, and we hear the doors of a new genre, the prison picture, clang shut. A group of guards led by Sean Nokes (Kevin Bacon at his slimiest) subject them to beatings and gang rapes. These ordeals are discreetly handled by Levinson, who makes us fully aware of their horrors without becoming graphically realistic...

Author: /time Magazine | Title: CINEMA: CRIMES OF THE HEART | 10/28/1996 | See Source »

Ashong and Noteables member Joseph I. Levinson '97 say their groups have significant cross-over with other musical companies...

Author: NO WRITER ATTRIBUTED | Title: Reaching for the High Notes | 10/4/1996 | See Source »

Having helped establish the campaign's major theme, the Americans then set out to modify it. The Americans used their focus-group coordinator, Alexei Levinson, to determine what exactly Russians most feared about the Communists. Long lines, scarce food and renationalization of property were frequently cited, but mostly people worried about civil war. "That allowed us to move beyond simple Red bashing," says Shumate. "That's why Yeltsin and his surrogates and our advertising all highlighted the possibility of unrest if Yeltsin lost. Many people felt some nostalgia for what the communists had done for Russia and no one liked...

Author: /time Magazine | Title: RESCUING BORIS | 7/15/1996 | See Source »

...Strangelove to ID4's relatively docudramatic Fail-Safe) and the inevitable sequels and remakes of Alien, Star Trek: The Next Generation and Lost in Space, you'll see big-budget versions of thoughtful sci-fi novels: Carl Sagan's Contact (directed by Robert Zemeckis), Michael Crichton's Sphere (Barry Levinson) and Robert Heinlein's Starship Troopers (Paul Verhoeven...

Author: /time Magazine | Title: THE INVASION HAS BEGUN! | 7/8/1996 | See Source »

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