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Comes Love (Artie Shaw; Bluebird) Most tuneful version of the most tuneful number of Yokel Boy, new Lew Brown musical...

Author: /time Magazine | Title: Music: July Records | 7/10/1939 | See Source »

Three hours and a half of musical comedy is too much in any league, and when caught last Monday night Lew Brown's "Yokel Boy Makes Good" at the Shubert, ran to this length. The show, however, was pretty good, and with judicious pruning it might well turn into a smash hit. It has tunes; "A Boy Named Lem, and a Girl Named Sue" is far from corny and there were several others which may break into the summer Hit Parade...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 6/22/1939 | See Source »

Lewis Williams Douglas will not be 45 until next month, but he has already gone far in three careers: business, politics and pedagogy. He quit teaching history at Amherst in 1920 to go back to his native Arizona and follow his grandfather and father into the mining business. But Lew Douglas felt he had a mission in life. He got into politics and served three terms in the House (where he made a reputation for understanding Government finance) before President Roosevelt made him Director of the Budget in 1933. Hard-headed Lewis Douglas washed his hands of the budget when...

Author: /time Magazine | Title: PERSONNEL: Versatile Lew | 6/19/1939 | See Source »

...lectured against New Deal finance during four years as vice president and director of American Cyanamid Corp., then in December 1937 he resigned to become principal of McGill University in Canada. His administration was successful, but not altogether happy for Lew Douglas. He was too far from the U. S. political-economic scene. Last week he was offered, and promptly accepted, a new job: president of Mutual Life Insurance Co. of New York, effective January 1. As head of the fifth largest insurance company (assets: $1,399,427,496), he will not only be able to use his genius...

Author: /time Magazine | Title: PERSONNEL: Versatile Lew | 6/19/1939 | See Source »

...better than any guide-book to the American dance is the Fred Astaire-Ginger Rogers pictorial view of fox trots, rhumbas, slides and glides in the "Story of Vernon and Irene Castle." Unfortunately, the picture offers little else. During Vernon's early slapstick days--his barber shop scene with Lew Fields, his gaudy, striped coats that are liable to start a national trend, his old-fashioned romance with Irene Foote--the picture proceeds at a light and entertaining pace. The mood of pre-war gaiety and Sunday excursions to the beach at New Rochelle is, made delightfully real. But once...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/12/1939 | See Source »

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