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...times, the line functions as the road on which narrator Li??l Bit (Alicia Hunt) takes driving lessons from her Uncle Peck (Mark Cohen) in 1960s rural Maryland. However, when the relationship between the two quickly turns sexual, the white line suggests more of a boundary—one that should not be traversed. It is reminiscent of one of Li??l Bit’s early encounters with Peck at the age of thirteen, when she tells him, “You’ve got to let me–draw the line...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: B.U.'s 'How I Learned' Driven by Powerful Acting | 2/17/2010 | See Source »

Unfortunately, this line becomes blurred through Li??l Bit’s scattered recollections of moments with her uncle. Sometimes, Li??l Bit seems the helpless prey in Peck’s twisted game of pedophilia and incest; other instances, however, reveal a more complex reciprocated relationship between the two, driven by their mutual outsider tendencies...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: B.U.'s 'How I Learned' Driven by Powerful Acting | 2/17/2010 | See Source »

...alter egos: Soho Eckstein, a rapacious South African businessman, and Felix Teitlebaum, a melancholy soul who pines for Eckstein's sensuous wife. Others are produced as parts of multiscreen installations in which eight or more unfurl simultaneously on all four gallery walls. So in 7 Fragments for Georges Mli??s, his semicomical riff on the artist in his studio, we see Kentridge climbing a ladder on one screen (and tumbling down), pacing on another and ripping apart a life-size drawing of himself on yet another...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

...transparency. Zander gestured flamboyantly, seeming to believe he could pull more sound out with his movements.The next piece, Camille Saint-Saens’s “Piano Concerto No. 2,” featured a 13-year-old soloist, George Li, who has already toured around the world. Li??s playing was spectacular. Sitting at the bench, his feet barely reaching the pedals, he commanded the keyboard like a professional, with dazzling technical ability and power.The virtuosic writing did not hinder Li??s musicality, as he expressed dark, haunting melodies in the first movement...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Zander Conducts Balancing Act | 10/20/2008 | See Source »

Anthony T. Zhang ’08 said he was surprised by Li??s speech because he “didn’t know very much about his humanitarian efforts...

Author: By Johnny H. Hu, CONTRIBUTING WRITER | Title: Jet Li Fights for Global Teamwork | 2/19/2008 | See Source »

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