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That's the way a good jazz artist works, in an effortless, unassuming manner, always injecting just the right kind of "kick" into the improvisation. Nearly all of Crosby's many Decca recording are done in this style, and they show him to be a master of the ad lib, a good example of which is Small Fry, not exactly hot music, but with that quality of informal spontaneity which you hear in Louie Armstrong and others. Best of all is his famous Wrap Your Troubles in Dreams, where Bing discovered that he was singing the wrong part...

Author: NO WRITER ATTRIBUTED | Title: SWING | 4/12/1941 | See Source »

...loudspeakers of Congress must be heard no matter how inane, bromidic and repetitious their statements are. For example, the whole country knows how Senator Blank feels and where he stands; it and his colleagues have heard him ad lib and ad nauseam and yet he takes up time, creates confusion and dissension, and accomplishes no good, makes no constructive suggestions and in fact has degenerated into a common scold...

Author: /time Magazine | Title: Letters, Feb. 10, 1941 | 2/10/1941 | See Source »

...named Colin Campbell. Campbell's combination, released under a Commodore Music Shop label, includes Clarinetist Pee Wee Russell, Guitarist Eddie Condon and, most notably, Fats Waller. Because of his Victor contract, Waller uses the nom de piano of Maurice, his nine-year-old son. His improvisations and ad lib choruses have much more sound invention than he ordinarily waxes for Victor. Of the four sides of jam and jazz classics, Georgia Grind provides most Waller, most listening...

Author: /time Magazine | Title: Music: January Records | 1/13/1941 | See Source »

...lib faster than I can," gurgled goggle-eyed Eddie Cantor, impressed not only by Harmon's velvety-smooth radio voice but his unshakable poise. The $900 he received for singing and clowning with Cantor promptly classed Harmon as a professional, barred him from continuing to play basketball and baseball at Michigan this spring. But to Tom Harmon it was worth it. From East and West came radio offers (including a fabulous tie-up with Bing Crosby), movie contracts from Warner Brothers and M. G. M., a flood of fan letters (including just the imprint of a girl...

Author: /time Magazine | Title: Sport: Cantor for Evashevski | 12/9/1940 | See Source »

...Margaret McBride, WOR as Martha Deane. In her dual role she made somewhere between $50,000 and $100,000 a year. Now she functions only for CBS, and a new Martha Deane has taken over her spot on WOR. Her five-a-week, 15-minute show is strictly ad lib...

Author: /time Magazine | Title: Radio: Goo | 11/25/1940 | See Source »

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