Word: libelous
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Dates: during 1980-1989
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...book for "hundreds of factual errors and fabricated events." Typical of the screaming wounded: Professor Michael Porter, who claims Mark never talked with him before writing a tale of alleged pirating of student concepts in a business-strategy plan for the National Football League. There is talk of libel suits against author and publisher. But Mark stands by his work, saying, "It doesn't surprise me they're not lining up to tell Dean McArthur they spoke with me. It doesn't enhance their standing at the school...
Bork's major statement in the free press area came in a 1984 ruling in which he concurred in the dismissal of a libel suit brought by Bertell Ollman, a Marxist college professor, against the conservative columnists Evans and Novak. In language that went beyond Supreme Court decisions on the matter (and which provoked a sharp rebuttal joined by his then colleague Antonin Scalia), Bork wrote that a "remarkable upsurge" in libel suits and damage awards "has threatened to impose a self-censorship on the press" as effective as government censorship. Because the core value of a free press...
...remarks Mecham has made since taking office in January, including his description of recall-movement leaders as a "band of homosexuals and a few dissident Democrats." Mecham is not amused: he complained that the Doonesbury series "crossed the point of decency" and advised his lawyers to explore a possible libel suit...
...compendium of tittle-tattle, from what the ladies found so impressive about Porfirio Rubirosa to what turned Tallulah on. Scenes of East Side literary salons contrast to the human litter of West 42 Street, innocence flirts with cynicism, and beauty is played off against corruption. Where invention beckons or libel laws counsel, there are fictional characters. Jones himself appears to be a perverse projection of a Capote who might have been...
...neutral biblical robes for specific ghetto mufti (only Moses, portrayed by Bass-Baritone Theo Adam, is outfitted in Old Testament garb), Ponnelle risked having the quarrelsome Jews appear like characters in one of Julius Streicher's Nazi racist fantasies, evoking the stereotype of avariciousness and the calumny of blood libel. Even the splendid performances of Adam, British Tenor Philip Langridge as a smooth Aron, and the brilliant chorus of the Vienna State Opera could not erase the disturbing, if unintentional, impression...