Word: libera
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Dates: during 1970-1979
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Drawing styles themselves range from Jeffrey Hale's which in Blind Man's Buff veers as close to Saturday morning cartoons as Center Screen gets, to Maureen Sherwood's freehand pen-and-ink for her Sempre Libera. John Canemaker's Confessions of a Stardreamer has the quick sketch and metamorphos is that keeps the cliches of the jaded actress on the soundtrack alive...
...Verdi Requiem was a marvel of controlled fervor. Soprano Mirella Freni's concluding Libera me had a rare blend of sweetness and power. The Brahms Requiem seemed cut from velvet rather than the usual broadcloth. Karajan's reading was a subdued rumination, a realization of the deeply personal utterance the composer drew from the Lutheran Bible. In the elegiac "And ye now therefore have sorrow," Soprano Leontyne Price seemed to distill grief and comfort into a burnished flow of melody...
...chase Wagner's Rhinemaidens and the clowns from I Pagliacci on specially constructed mini-stages? Who else but Adler could persuade Prima Donna Joan Sutherland to brave both the crowd and the city's infamous outdoor air-conditioning and sing Ah fors' è lui and Sempre libera from Verdi's La Traviata? Introduced by his Honor Joseph Alioto, the statuesque ("La Stupenda"), redheaded Joan beamed upon her vast audience and remarked with her familiar air of Aussie nononsense: "The mayor's already told you what I'm going to sing, so I might...