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Word: librettist (lookup in dictionary) (lookup stats)
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Protestant Theologian Paul Tillich; Author Lewis Mumford; the Rev. Harry Emerson Fosdick, pastor emeritus of Manhattan's Riverside Church; Pollster Elmo Roper; National Farmers Union Boss James G. Patton (who runs N.C.S.N.P. material free in N.F.U. publications); Sociologist David (The Lonely Crowd) Riesman; Librettist Oscar (South Pacific) Hammerstein II; and the committee's scientific anchor man, Caltech's busy chemist and busy politician, Dr. Linus Carl Pauling, longtime supporter of Communist-line fronts,* whose ideology was never noticeably shaken by the suppression inside the Soviet Union for years of his own Nobel Prizewinning discovery about the resonance...

Author: /time Magazine | Title: THE ATOM: How Sane the SANE? | 4/21/1958 | See Source »

...carrying The Pajama Game into extra innings works out fairly agreeably on the whole. Compared to its bookform pokes at show business, Say, Darling is now using a softball. But as a popular-entertainment monkeyshine on the making of musicals, and as the decidedly unspiritual autobiography of a fledgling librettist, the show bumps and bounces along cheerfully enough...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Apr. 14, 1958 | 4/14/1958 | See Source »

Died. Herbert Fields, 60, who wrote the book for Broadway musicals ranging from Garrick Gaieties to Annie Get Your Gun; of a heart attack; in Manhattan. Son of Slapstick Comedian Lew Fields (Weber & Fields), Herbert was the first librettist with the Rodgers & Hart team, later did such hits as DuBarry Was a Lady and Mexican Hayride with Cole Porter, collaborated on many shows (Up in Central Park, the forthcoming Redhead) with his sister Dorothy...

Author: /time Magazine | Title: Milestones, Apr. 7, 1958 | 4/7/1958 | See Source »

...Earth) wrote a score that is alternately jazzy and sugary, but that in itself every so often sounds embarrassingly "sincere." While the nurse administers the ether, she bends over her patient-lover and croons a melting lullaby ("Sleep, my love") that leaves the audience wondering whether composer and librettist have swallowed their own commercial...

Author: /time Magazine | Title: Music: Of Ghosts & Soap | 3/31/1958 | See Source »

...addition to providing fine flashes of humor and plenty of surefire scenes. Librettist Menotti seems intent on making the point that as soon as a dream is realized it is destroyed; waiting and hoping are the whole of life. Composer Barber, 47, had to do a good deal of waiting himself. Menotti wrote the libretto in intermittent stretches over an 18-month period ("At one point," says Barber, "he left Anatol standing in a drafty doorway in deep winter for months"). Barber himself named the leading character after scanning a What-to-call-your-baby book entitled Name This Child...

Author: /time Magazine | Title: Music: Barber at the Met | 1/27/1958 | See Source »

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