Word: libretto
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Dates: during 1990-1999
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...Overall, HMS Pinafore is a delightful production. The cast is full of affable characters who genuinely seem to revel in this trifling and insubstantial world, and the entire production, from bow to stern is infused with a beguiling charm. Any misgivings is ultimately redeemable because the libretto and music are entirely loveable. Besides, with any production that begins with a mandatory rendition of "God Save the Queen", it's very difficult not to have a good time. Only the most miserable curmudgeon won't go home grinning and humming after two delectable hours in this fluffy cotton-candy world...
...Cavalli's Giasone, written in 1649, was sort of a blockbuster back in the Italian seventeenth-centry. The libretto is the usual pastiche of bickering deities and hobnobbing heroes, loosely based on the story of Jason and the golden fleece. Cupid and Fate are having a quarrel about which one most controls mens' lives, and they cause amorous chaos among the mortals. Giasone, Aegeus, Medea, Hypsipyle and their servants mill about in confusion and slapstick till at last, all sung out and snugly paired off they come to a happy closing...
...splendid live recording from last year's Spoleto Festival. The cast is solid; Richard Hickox's conducting, superb. Successfully premiered on Broadway in 1950 (yes, Broadway used to take such chances), The Consul is a little masterpiece of musical stagecraft whose grimly effective score and libretto haven't lost any of their punch--or relevance--in this ghastly age of ethnic cleansing...
...poems is found in these comments. It is not actually the objects that Salter is writing about but rather perceptions of those objects. The reader is drawn in by these perceptions. Seeing through Salter's eyes, we begin to understand her connections, how her mind works. In "Libretto" images of a record player and a silk couch lead to the past, so we see what these images mean to the narrator...
...poems is found in these comments. It is not actually the objects that Salter is writing about but rather perceptions of those objects. The reader is drawn in by these perceptions. Seeing through Salter's eyes, we begin to understand her connections, how her mind works. In "Libretto" images of a record player and a silk couch lead to the past, so we see what these images mean to the narrator...