Word: licenza
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Dates: during 1997-1997
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Such was the case in the second movement, Andante cantabile, con alcuna licenza, in which Tchaikovsky relies upon the French horn to introduce one of the composer's most effusively passionate statements, played with a slightly wavering but rosy tone by French horn James Bergman '99. All following events build upon the foundation established by the horn solo; Tchaikovsky's theme expanded into an outpouring of heroic proportions when taken into the hands of the violins...
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