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Word: lichtensteins (lookup in dictionary) (lookup stats)
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...Brad darling, this painting is a MASTERPIECE!" exclaims a luscious blonde in one of Roy Lichtenstein's celebrated "comic strip" canvases of 1962. "My, soon you'll have all of New York clamoring for your work." Pure boasting? At the time, yes. Lichtenstein's first pop paintings were derided as belonging to the "King Features school," and a bad joke. Today, it's all the way to the bank. At 43, Lichtenstein is a pop hero: half a dozen museums own his work, his every show is a sellout, and his prices have jumped tenfold...

Author: /time Magazine | Title: Painting: Kidding Everybody | 6/23/1967 | See Source »

...major Lichtenstein retrospective, with 78 paintings, kinetic plaques, banners, drawings, prints and posters, was unveiled at the Pasadena Art Museum in April, opens at the Minneapolis Walker Art Center this week. Then half the works will move on to Amsterdam's Stedelijk Museum, to be joined by Lichtensteins owned in Europe. As the exhibit illustrates, high craftsmanship and an uncommon wit are his hallmarks, for the show abounds with humorous and satirical jabs at painters past and present (see color opposite...

Author: /time Magazine | Title: Painting: Kidding Everybody | 6/23/1967 | See Source »

Ripe for Ribbing. In his early period, Lichtenstein was a latter-day abstract expressionist. When he turned to subject matter, he happened on comic strips, he explains, "because of their anti-artistic image and because they are such a modern subject." He took over the whole cartoon vocabulary, including printers' Benday dots (originally suggested to him by the exaggerated dots on a bubble-gum wrapper), primary Magna colors, heavy, black-outlined forms. "I like taking a discredited subject and putting it into a new unity," Lichtenstein says (currently he is working with 1930s pseudo-Bauhaus modern), "I was serious...

Author: /time Magazine | Title: Painting: Kidding Everybody | 6/23/1967 | See Source »

...Rhineland's newly prosperous postwar buying public, which is willing to splurge on experimental works. When Dusseldorf opened its stark $2,300,000 modern-art museum last month, the new Kunsthalle boasted not only an impressive display of 16 privately owned Picassos and Braques, but also works by Lichtenstein and Warhol-plus 17 works by contemporary Dusseldorf artists. The area's leading modern-art collector, aristocratic Frau Fann Schniewind, has amassed a $1,000,000 collection that runs the gamut from a white-plaster woman painting her fingernails by U.S. Pop Sculptor George Segal to a white disk...

Author: /time Magazine | Title: Artists: Paris on the Rhine | 6/2/1967 | See Source »

...more famous loser stories concerns a Harvard student from Lichtenstein, who gambled away a semester's allowance in a night. Then he put his Lotus Elan and his title (he was a Baron) on the table--and lost them both. The winner returned the title and the Lotus in exchange for the use of the car the following weekend...

Author: By Kerry Gruson, | Title: Harvard on $500 a Night | 3/24/1967 | See Source »

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