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...they appreciate the base of knowledge of the program he has developed over time.“He has navigated the changes in the department incredibly well as interim director, and has proven to be an effective, enthusiastic, innovative and wonderfully supportive colleague and director,” preceptor Licia L. Carlson wrote in an e-mailed statement.While some have asserted that the Expos program has been isolated from departments in the Faculty of Arts and Sciences, both Jehn and Harris have said that one of their major goals for the future of the Expos program is to make...

Author: By Lauren D. Kiel, CRIMSON STAFF WRITER | Title: After Search, Expos Awaits Changes | 4/27/2009 | See Source »

MILAN Italian actresses like Lory Del Santo, Licia Colo and Alba Parietti all cool their heels in Driade's Meridiana chair ($372) by Christophe Pillet...

Author: /time Magazine | Title: The A List: Seating Options | 4/17/2007 | See Source »

...psychological astuteness and, occasionally, rude in their action. At the climax of the love duet in the Met's Butterfly, Pinkerton begins stripping his bride, who throws back her head in ecstasy. On opening night, the sequence was loudly booed by another member of opera's aristocracy, former diva Licia Albanese, who in Mario's day played Butterfly as an elegant geisha. Albanese ``looks at the opera from the moral viewpoint of the '40s,'' shrugs Del Monaco. ``But Pinkerton was an ugly American who was drunk and excited...

Author: /time Magazine | Title: OPERATIC ARTISTOCRACY | 2/20/1995 | See Source »

...psychological astuteness and, occasionally, rude in their action. At the climax of the love duet in the Met's Butterfly, Pinkerton begins stripping his bride, who throws back her head in ecstasy. On opening night, the sequence was loudly booed by another member of opera's aristocracy, former diva Licia Albanese, who in Mario's day played Butterfly as an elegant geisha. Albanese "looks at the opera from the moral viewpoint of the '40s," shrugs Del Monaco. "But Pinkerton was an ugly American who was drunk and excited...

Author: /time Magazine | Title: OPERATIC ARISTOCRACY | 2/6/1995 | See Source »

...mortal Chamberlaynes display stunning lack of personality without becoming caricatures. King is particularly apt in capturing a half-tipsy and harassed post-party mood during his early scenes. Licia Hurst has more trouble with the difficult role of Celia: she is the one character severely handicapped by her English accent and many of her monologues drag. Alexander Kafka, generally an appealing Peter, takes the character's confusion to an extreme: not only is Peter upset most of the time he's on stage, but one finds it difficult to imagine him ever calm...

Author: By Frances T. Rual, | Title: A Mixed Drink | 3/16/1983 | See Source »

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