Word: liebster
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Dates: during 1950-1959
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...only proper that the first half be given over to J. S. Bach. There was the monumental Prelude and Fugue in G Major; and the three-movement Trio Sonata No. 1 in E Flat, one of the most treacherous challenges in the entire literature. Of the two chorale-preludes, Liebster Jesu, wir sind hier presented a constant parade of startling dissonances. Later periods were represented by Mozart's charming, if second-drawer, Sonata No. 15 in C; Brahms' rich-textured Fugue in A Flat Minor (a most rare key); and Hermann Schroeder's chorale-prelude Schoenster Herr Jesu...
After a somewhat colorless cantata by Buxtchude, the audience found itself four centuries after Machaut and finally on more familiar ground with Bach's cantata No. 32, Liebster Jesu, mein Verlangen. The performance, featuring two excellent soloists, Jean Lunn, soprano, and Vincent Allison, baritone, was smooth and often moving. Violinist Helena Pappenheimer and oboeist Robert Freeman also deserve special commendation for their rendition of the instrumental obbligatos...
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