Word: lieder
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Dates: during 1930-1939
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...Fine Arts 9d Fogg Small Rm. French 9 Emerson D Geography 7b Sever 36 Geography 17b Memorial Hall German B Sever A German 1a (see footnote*) Mr. Bennett, Sec. 2 Sever 2 Dr. Nolte, Sec. 3 Sever 7 Dr. Zipf. Sec. 4 Sever 8 German 1 (see footnote*) Prof. Lieder, Sec. 2 Emerson 211 Prof. Cawley, Sec. 3 Emerson 211 Prof. Starck, Sec. 4 Emerson 211 German 13b Sever 14 Government 11b Mallinckrodt MB23 Greek B (see footnote...
...Pierce 307English 2 Memorial HallEnglish 79 New Lect. HallFine Arts 9d Fogg Small Rm.French 9 Emerson DGeography 7b Sever 36Geography 17b Memorial HallGerman B Sever AGerman 1a (see footnote*)Mr. Bennett, Sec. 2 Sever 2Dr. Nolte, Sec. 3 Sever 7Dr. Zipf, Sec. 4 Sever 8German 2 (see footnote*)Prof. Lieder, Sec. 2 Emerson 211Prof. Cawley, Sec. 3 Emerson 211Prof. Starck, Sec. 4 Emerson 211German 12b Sever 14Government 11b Mallinckrodt MB23Greek B (see footnote*)Prof. Greene, Sec. 1 Sever 36History 10b Sever 19History 12 Harvard 2History 28 Harvard 5History 60 Sever 6Latin 12 Sever 17Mathematics A II (see footnote*)Prof. Coolidge...
...contributed most to the 1934-35 season is a simple, hearty German whose name is Lotte Lehmann.* Lotte Lehmann began her busy season with the San Francisco Opera, later sang in opera in Philadelphia, in Chicago. One of her 24 recitals was in Manhattan last week, when pure German Lieder brought an uproar of applause. Lotte Lehmann's next stop was Detroit where she sang over the radio on the Ford Symphony Hour. She hurried then to Boston to sing in the famed old mansion which belonged to Mrs. Jack Gardner who had Nellie Melba for her guest there...
...best Lehmann is indisputably one of the world's few great singers. Her rich voice is always deeply moving. With Lieder her abundant temperament sometimes gets the best of her. Opera suits her better. In Tannhäuser her exuberant Elisabeth dominates the stage. In Die Meistersinger she becomes the youthful ingenuous heroine whom Wagner imagined. As Sieglinde in Die Walküre she has no living peer. Next month Manhattan's critics will have their first chance to pass on her Tosca...
When she retired from the Metropolitan at 40. Geraldine Farrar turned to German Lieder which would not tax her voice. She gave herself exactly ten years on the concert stage. In 1932 she again retired, vowing never to sing again in public...