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Word: lies (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Techno has its spiritual home in Detroit. To be specific, its roots lie in '80s Detroit, which might explain its darker, grittier sound, compared to the escapism of house. As its name suggests, techno tends to focus on the possibilities of the machine, involving perhaps more daring explorations, although detractors claims that takes away from the music's danceability...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: Genreside | 11/19/1999 | See Source »

...Sheerr said the group's strength will lie in its close proximity to the dean...

Author: By Rosalind S. Helderman and Joyce K. Mcintyre, CRIMSON STAFF WRITERSS | Title: New Radcliffe Advisory Dean's Council to Meet Tomorrow | 11/19/1999 | See Source »

...Streetcar, and she emits precisely the same cry; she has remembered and transformed her mourning into art, and the audience applauds fervently. It is a lovely clue to one of the movie's themes, as Almodovar describes it: "the capacity of women to act without being professional actresses: to lie, to fake, to perform. Men and women both have loneliness, pain, the same kind of suffering. But the way women react to these things is much more spectacular, much more cinematic. It does seem that men are made up of fewer pieces than women...

Author: /time Magazine | Title: Cinema: Loving Pedro | 11/15/1999 | See Source »

...putting pen to paper creates a veil of artifice that is drawn over the subject in question. If anything, Morris' technique strikes me as honest. He views his subject through the veil of fiction. It is truth that has no place in a biography. History is a consensual lie. ALEXANDER M. STERN Rochester...

Author: /time Magazine | Title: Letters: Nov. 15, 1999 | 11/15/1999 | See Source »

...Baskett's strengths lie in his innovative angles and his combination of dramatic color and black and white. His colors often seem unreal due to burning techniques. Baskett does not accept the palette nature lends him; his own lens is more selective. This manipulation is most evident in his picture of a bright red, luminous French cafe, surrounded by a bright whiteness...

Author: By Dunia Dickey, | Title: Paris, Thursday Morning: Photographs by Paul Baskett | 11/12/1999 | See Source »

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