Word: liesbesleid
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Dates: during 1980-1989
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Mintz's musicianship becomes his salvation too, especially in the well-known Liesbesleid (Love's Sorrow), Liebesfreud (Love's Joy) and Caprice viennois op. 2. Mintz plays ricochet bowings and fancy-fingered high notes in the umpteenth position with more clarity and precision than the old master himself (Kreisler had to be a genius to be able to make millions of his concerts and records and manage to get away with an hour's practicing once a month). Shlomo's earthy, robust tone enlivens every phrase in these three pieces...
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