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George Gorton (Jeff Goldblum), Dick Dresner (Anthony LaPaglia) and Joe Shumate (Liev Schreiber) have just left the 1996 presidential campaign of Republican California Governor Pete Wilson. Idle and itchy, they get a call seeking help for a presidential candidate in even worse straits: Russian President Boris Yeltsin. A hero for leading his country out of communism in the early '90s, he is now, amid economic ruin and a war in Chechnya, the goat. Polls show him trailing not only his main opponent, communist Gennadi Zyuganov, but also Joseph Stalin, the long-dead Soviet dictator...
STARRING: Meg Ryan, Hugh Jackman, Liev Schreiber, Breckin Meyer DIRECTOR: James Mangold...
...HAMLET The most controversial production of Shakespeare all year was Andrei Serban's brash, sometimes wacky (three ghosts of Hamlet's father) but always engrossing off-Broadway update. And Liev Schreiber was a charismatic and memorable Dane...
...equally petulant. Hamlet does not represent "the courtier's, soldier's, scholar's, eye," just a spoiled latch-key kid whose parents didn't hug him enough. Thankfully, the two are saved by the supporting cast. Bill Murray as Polonius injects significant pathos into Polonius' foppish politicking and Liev Schriber demonstrates some exceptionally tender moments before he departs in the opening act. In their short time together, this father-son duo exudes great paternal chemistry, which ends up more compelling than the shallow animosity between Claudius and Hamlet. The film improves in the second half, which by sheer coincidence...
...exults Orson Welles (Liev Schreiber, right, with Roy Scheider), describing his concept for Citizen Kane (studio production No. RKO 281): "A titanic figure of limitless ambition...controlling the deceptions of everyone beneath him." Welles means William Randolph Hearst, the ruthless magnate he would nail in the movie that, owing to Hearst's power, almost went unreleased. The irony: like Hearst, the auteur was driven to selfish cruelty for his (artistic) ends. Despite Schreiber's intensity and charm, this film never plumbs its subject's soul as Welles' did, but it's an often absorbing study of free expression...