Word: lifeã
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...House life at Harvard College. While many claim to have the answer to the seemingly age-old question of how best to create viable, inclusive social communities at Harvard, for the most part, the solutions that have been proposed constitute little more than treating the symptoms of House life??s deficiencies.Take dining hall restrictions, for example. The argument here goes something like this: restrict access to House dining halls to residents, and you create an incubator for House community and fraternization. But proponents of dining hall restrictions, more often than not, fail to engage the real issue that...
...doubts a return to poetry – “There’s something more suited about poetry to young people… many, though not all, of the greatest poets have been young poets. I think novel writing requires a longer and deeper experience of life?? – but all else is fair game. “I’m working on a number of short stories,” he says “though I feel a bit of a fraud doing anything that’s less than a hundred...
...life rarely gives closure either. Comedies, like “The Royal Tenenbaums,” are required to tie up all of their loose ends in the dénouement. Dramas are free to leave them unresolved, especially if the lack of resolution is truer to life??, which is certainly the case in the instance of divorce. The final moments of “Squid” may feel amputated, but the phantom ache of the missing scenes is precisely the feeling with which the film should conclude. —Staff writer Bernard L. Parham...
Opening the evening with middle school favorite “Semi-Charmed Life?? by Third Eye Blind, Susan Putnins and the Sinister Turns performed with an infectious enthusiasm, galvanizing a nostalgic time warp back to the days of awkward dances and acne. Although the strumming guitars and booming drums drowned out lead singer Susan I. Putnins ’08, the crowd did not seem to mind or notice. Frankly, real-life Third Eye Bind lead singer Stephen Jenkins is habitually so sloshed in concerts that this band’s cover may have done more justice...
...Clint Froehlich ’05-’06, the action consists of four people discussing a romantic comedy that they are writing. The piece turns into a more serious fulfillment of its title when one of the writers turns out to be the “real-life?? protagonist of their story in the larger play. The situation was constructed cleverly, and made this drama one of the wittiest pieces of the festival...