Word: life
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Dates: during 1960-1969
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When towering Don Drysdale took the mound, National League batsmen made certain they stayed good and loose at the plate. "I've never thrown deliberately at a batter's head in my life," the 6-ft. 6-in. pitcher once said. What he unquestionably did do was snap off blazing sidearm fastballs and dancing curves with bullwhip fury. In the process, he set a lifetime league record for most hit batsmen (154). This year, the overpowering ace of the Los Angeles Dodger staff proved he had as much guts as the batters who had faced him during...
Whenever a situation threatens to involve the TV cameraman, be it an auto accident, an angry group of black militants, or the lingering hopelessness of ghetto life, he retreats behind the shopworn shield of journalistic objectivity, insisting that his only concern is to get the story. The progress of his love affair with the widow parallels the gradual weakening of his own prejudices and defenses, until both are finally trapped in the ultimate cataclysm of the convention's madness...
...Grace Kelly. There is something incongruous about a 9-to-5 Deneuve; she knows it, and plays straight a brief scene where, as Tired Working Girl, she soaks her feet in a basin. The day she quits her job she leaps back into bed-fully clothed. These moments lend life to a minor, if remarkably accurate evocation of a certain sort of life. But it gives Deneuve a chance only to mark time until she can slip into something less comfortable...
...criticism-not always in ways calculated to enhance his reputation for balanced judgment. Greene writes about the great dead, among them James, Conrad and Hardy, and steadily mines their graves for texts on death, damnation and moral corruption. By compulsively and compassionately visiting his own moral preoccupations upon the life and art of others, he often more truly reveals himself than his subject...
...fifty years." James is "as solitary in the history of the novel as Shakespeare in the history of poetry." It is not the brilliant surface and subtlety of James that attracts Greene, of course, but the underlying anguish, the "hidden books" behind "the façade of his public life." In an essay that no one else could have written, Greene claims James as a literary brother because, as Greene sees it, James also believed in the victory of evil in this world. Greene, in fact, almost succeeds in a posthumous conversion of the Old Master to Rome...