Word: life
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Dates: during 1960-1969
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...Some of the poor benefit, but at the expense of other poor people, who are forced to vacate bad housing and occupy worse." SOCIAL SECURITY. "It is a means of taxing the poor for the benefit of the rich. If you are poor, you start to work earlier in life, yet your life expectancy is shorter, and if you work after 65, you get less benefits...
...number 14 is bad luck, and so is four on a match. A stitch in time saves ten, cats have ten lives, two birds in the hand are worth three in the bush, a bluffer is a fiveflusher, and that soft drink should really be called Eight-Up. Life, these days, begins at 41, girls are Sweet 17 and never been kissed, and inescapably, the American consumer is behind the nine ball...
Carrying a Corpse. Ironies like that are easy to manufacture, and Scenarists James Poe and Robert E. Thompson operate an assembly line. Ruby tunelessly chants The Best Things in Life Are Free, then crawls for the pennies people throw her way. A Harlow-eyed blonde (Susannah York) is in the contest not for the $1,500 prize, but for a chance to be seen by a movie talent scout who might elevate her to bearable unreality. When the marathon begins to drag, Rocky dresses the participants in track suits and has them race around the floor-an event that literally...
...this melodramatic point, the film achieves its peak. Sailor's face empurples, his lips work and bubble, his body goes limp. "Walk, you son of a bitch, walk!" screams Gloria, carrying a corpse on her back, defying Rocky, circumstances, the Depression-and finally life itself in a racking finish that leaves the spectator as weary, and in a sense, as degraded as the participants. But it is precisely because of Gloria's inexhaustible drive that the film buckles. The dancers stay up for more than a thousand hours. The hall becomes a human zoo where legs, spines...
...decades after F. Scott Fitzgerald's This Side of Paradise, young novelists spent their energies on books about college life suffused with sophomoric philosophizing and romantic despair. Then came J. D. Salinger's The Catcher in the Rye, William Golding's Lord of the Flies, and a spate of imitative books about troubling and precocious children. Since the late '50s and Jack Kerouac's On the Road, the picaresque adventures of rebellious youth seeking wisdom through forbidden experience have been the dominant theme. Now, perhaps, William Harrison's superb second novel-about four contemporary...