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Word: life (lookup in dictionary) (lookup stats)
Dates: during 2010-2019
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Though “I’m Just Movin’” is lighthearted, the number segues into weighty issues. Grocery bagger Roberto Nuñez (Joe J. Vitti ’10) reminisces on his life as an immigrant child, picking the crops that “ended up in that fine salad” of his complaining customer. His Spanish musical number “Un Mejor Dia Vendra” portrays Nuñez’s struggle with American identity honestly and sensitively...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Musical Celebrates 'Working' Class | 4/6/2010 | See Source »

Passion and a crazed commitment to maintaining power are two essential elements that any aspiring fascist ruler should possess. In the case of Benito Mussolini, these were elements that he embraced not only in his political career, but also in his private life. “Vincere” explores the secret life of Benito Mussolini’s lover—and self-proclaimed spouse—Ida Dalser and the emotional and psychological torture she endures as a result of being swept under the rug. In this chilling account, Ida’s resolve and sanity are tested...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

...this fictional recreation of her life, Ida, played by Giovanna Mezzogiorno, is shoved into the shadows of secluded homes and mental hospitals as everyone around her insists that she forget the past and the father of her child. Mezzogiorno delivers a stunning performance, masterfully portraying the desperation of a scorned lover. Her obsession with her imagined marriage to Mussolini (Filippo Timi)—a problem first and foremost because he was already married with children before his affair with Ida—is second only to her resolve that she hasn’t imagined anything and is justified...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

Mezzogiorno’s performance is enhanced exponentially by the powerful imagery of determination that accompanies her progressively bitter outlook on life. As she is seated in front of the daunting board of psychologists, Ida removes the human skull from the doctor’s desk to let them know that she is not swayed by the danger of her demise and will not be intimidated. Her obsession transforms into a desire for retribution when she realizes Mussolini has long since left her behind in light of his political successes, many of which she helped him achieve early...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

...latter is especially evident when Ida’s son is suddenly introduced as an adult after an inexplicable temporal leap in the narrative. To make matters even more confusing, the adult son is played by the same actor who portrays Mussolini. Furthermore, although the montages of real-life Italian scenes of political turmoil accompanying the events in the film constitute a very interesting approach to crafting a fictionalized historical account, their unexpected placement undermines the sense of fluidity...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

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