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...Life is Sweet! Nice to Meet You” is an enjoyable album with moments of true elegance and beauty. The instrumental numbers—which comprize four out of the 15 tracks—are all lovely, and when Hynes focuses on this aspect of his music, the album is exceptional. Unfortunately, when the instrumental innovation falls away, the lyrics rarely have the depth or character to engage, and Lightspeed Champion sadly slips into the shadows...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Lightspeed Champion | 2/17/2010 | See Source »

...though he barely strums a whole chord, but his finger patterns are always effective and atmospheric. Barthel’s “oohs,” which first appear on “When I’m Small” are repeated on many other songs, injecting life into some of the record’s less engaging moments...

Author: By Parker A. Lawrence, CONTRIBUTING WRITER | Title: Phantogram | 2/17/2010 | See Source »

...Adams or Quincy to freshmen would undeniably encourage many first-year students to abandon the ’Berg, decreasing potential meal-time bonding, they should still be able to eat in some Upperclassmen dining halls in order to participate in student organizations and get a taste of what life will be like after the Yard...

Author: By The Crimson Staff | Title: Guess Who’s Not Coming to Dinner | 2/17/2010 | See Source »

Painting, poetry, film, sculpture, humanitarianism, experimentalism and curiosity about the black, curving infinity that lies beyond—these concerns underpin the life and work of Aldo Tambellini. On February 22 at 7:00 PM the Harvard Film Archive (HFA) is running a rare screening of a series of his “black films,” which Tambellini will introduce in person. It will be a remarkable opportunity to discover the work of an artist and filmmaker who has been rather private in the past. “Over the years I made my own art for myself...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Tambellini Discusses Blackness at HFA | 2/17/2010 | See Source »

...life Tambellini has associated himself with African Americans, especially intellectuals, who he connects with because of their plight. “A lot of injustice has been done to black people. A lot of injustice is also done to artists,” he says. When his black series was made in New York in the 1960s, the films communicated a profound social and political message. His archivist and manager Anna Salamone says, “Aldo is a man who lives and creates by what he believes. There is just no grey about it; you either believe...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Tambellini Discusses Blackness at HFA | 2/17/2010 | See Source »

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