Word: lifes
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Dates: during 1920-1929
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...Chemistry which is announced in today's CRIMSON serves to bring to general notice an otherwise obscure group of Harvard men. Most Chemists have a habit of keeping pretty close to their laboratories and mingling with the immutable laws of nature rather than the variabilities of human social life. Any organization, however specialized, which brings these men together with others in their field is a step to helping them to a broader point of view. There are of course regular national and local Chemical societies, but an association purely of Harvard men has an advantage in that it supplies...
During Commencement Week the School of Architecture will exhibit work done in the School during the past year in exhibitions which will be arranged in Robinson Hall and in the Old Fogg Museum. Drawings from the life classes, freehand drawing, water color, and architectural design, will be included...
THERE are few ages in the history of England about which it is easier to become romantic than that of Anne and George the First. The gay, corrupt life pictured in "The Beggar's Opera", when Walpole talked of a man and his price, and nobody's virtue was over-nice lends itself admirably to a bit of rich imaginative writting by a scholar who knows the period and its people and can see through the eyes of a contemporary...
...Sherwin has tried to put on the screen a real moving picture of this life, taking John Gay as his central figure. Evidently a scholar whose acquaintance with his material has not been gained solely in text-books and Hogarth's prints, he has tried to set down some of the more intimate aspects of the life of the day, and has succeeded to a certain extent. If the reader himself has a vivid imagination, he may put Mr. Sherwin's pictures in his mind's eye and build up out of them a fine scene of rum and riot...
...very much surprised by the patronizing release made to The Boston American by Mr. Potter on the CRIMSON editorial concerning the Sargent murals. Everyone recognizes that as works of art they are disgraceful. Many critics feel that Sargent was a second-rate derivative artist throughout his life, but even his advocates admit that his last period was a long retrogression and that he reached the lowest depths in the Widener Library pictures. If Mr. Potter still has doubts on the subject, he might ask any member of the Fine Arts Department; even those who are most sympathetic toward Sargent...