Word: lifes
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Dates: during 1970-1979
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...Time, Alice and The Jeffersons are consistently near the top of the Nielsens. Trapper John, M.D., a dim hospital drama, is the season's biggest new hit, mainly because it caps CBS's winning Sunday lineup. CBS has shown other new signs of life: modestly successful shows like Dallas, WKRP in Cincinnati and The Dukes of Hazzard have started to build big audiences...
...Life on the road tends to be livelier than home on the range. "I'm never fully alive unless I'm on the road," Entwistle says. "Groupies are part of that. They build up my ego, make me feel that I'm a star." Alison Entwistle has a different attitude: "I hate being at home when he is on the road. I know groupies are part of it, and I hate them all." Heather Daltrey says she doesn't bother about such things...
...Townshend, who wrote an ironic song about tour life called Romance on the Road, not yet released, is in typical fashion drawn in both directions about it. He can see through the romance like a pool, even as he dives into it. "He's perfectly capable of getting off the plane in New York and staying drunk for the entire tour," says one of his friends. A talk with Townshend at the best of times is a hopscotch game in a minefield. This is part of what he means when he says, with some melodrama and a strong measure...
...wildly successful 1975 film version of Tommy was like Busby Berkeley on a bummer. By that time, The Who was working on extensions both of Tommy's form and its themes. Quadrophenia (1973) was an even more ambitious, although less flashy, successor, a two-record chronicle of the desperate life and ironic resurrection of a poor London Mod kid in the early '60s. (It has just been released in a street-shrewd, roughhouse movie adaptation. The sound track, remixed by Entwistle, sounds even better than the recorded original...
...nasty," as Daltrey calls him. Moon died of an overdose of Heminevirin, a drug he was taking to combat his alcoholism. Moon's passing forced a crisis within the group, the three surviving members re-examining their loyalty to rock, and to each other. Daltrey told Townshend: "Keith's life and death were a gift to the group. A sacrifice to allow us to continue." Townshend recalls thinking at the time, "How can I agree with something as 20th Century-Fox as that? But I felt it too. That besides being a sacrifice, Keith's death had given...