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Word: lifes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Alumni who attended Harvard during World War II said yesterday that "The Last Convertible," a T.V. movie about five wartime students, deals realistically with the effect of the war on the University, but exaggerates the social life of the typical student...

Author: NO WRITER ATTRIBUTED | Title: Harvard WWII Alumni Review T.V.'s 'The Last Convertible' | 9/26/1979 | See Source »

However, several alumni said that the movie and the book incorrectly portray student life in the '40s as constantly exciting and romantic. John J. Hardy '44 said that the movie focuses only on the atypical, unusually rich students at Harvard...

Author: NO WRITER ATTRIBUTED | Title: Harvard WWII Alumni Review T.V.'s 'The Last Convertible' | 9/26/1979 | See Source »

...little more than two years, to the astonishment of the financial world, the corporate campaign has driven Stevens' chairman from the boards of Manufactures Hanover, Inc. and New York Life, forced the resignation of a second director from Man Hanny and compelled two outside directors to resign from the Stevens board. Rogers' campaign is so effective that Stevens' director of public relations calls it the financial equivalent of "knee-capping"--the tactic used by Italian terrorists to immobilize political and corporate leaders...

Author: By James L. Tyson, | Title: Ray Rogers Hits J. P. Stevens Where it Hurts | 9/26/1979 | See Source »

Last September the ACTWU once again exploited the proxy power of policy holders by contesting the reelection of Ralph Manning Brown Jr., chairman of New York Life, and Finley, a director of New York Life. To save New York Life the multi-million dollar cost of holding directorship elections--and to ensure that two union-backed candidates were not elected to the board--both Finley and Brown resigned from the other's corporate board...

Author: By James L. Tyson, | Title: Ray Rogers Hits J. P. Stevens Where it Hurts | 9/26/1979 | See Source »

...LIFE OF BRIAN does not do the job on the gospels that Holy Grail did on the Arthurian legends. The scope is more timid, the technique less audacious. We had a right to expect better, funnier, or at least wilder. The more slavishly Monty Python tries to follow conventions--the more they tailor their films to play in Peoria--the less anyone will laugh at them. The film remains only a funny shadow of what might have been--like Jesus Christ beating a dead parrot...

Author: By Scott A. Rosenberg, | Title: Monty Python's Flying Surplice | 9/25/1979 | See Source »

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