Word: lifes
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Dates: during 1970-1979
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...Telling the Truth, Novelist and sometime Preacher Frederick Buechner describes the magic moment when the minister steps into the pulpit. In the pews sit a college student there against his will, a banker who twice contemplated suicide that week, a contractor on the take, a pregnant girl who feels life stir within her, a teacher hiding his homosexuality. "The preacher pulls the little cord that turns on the lectern light and deals out his note cards like a riverboat gambler. The stakes have never been higher. Two minutes from now he may have lost his listeners completely to their...
...body. Sitting down, she notices that her upper arm is still moving when the rest of her has stopped. She jiggles it and -incredible sight-her thighs, legs and neck too. "Isn't it terrible," she sighs, "that when you hit 30, your body wants a life...
Many people might long for a life in Hawaii. Bette was determined to get away, and in 1965 she did, arriving in Manhattan with the intention of becoming an actress. For her it was easier to make it as a singer, however. She joined the chorus of Fiddler on the Roof and eventually moved up to play Tzeitel, Tevye's eldest daughter. When she left Fiddler, she did a cabaret act at the Improvisation club and, a short while later, at the gay Continental Baths. That is where the Divine Miss M, as she called herself, was born...
...lover for six months, her man ager for six years, and her Svengali all the time. "Make me a legend!" Bette told him, and he did, or almost did. Like Alan Bates, who plays Rose's tyrannical man ager in the movie, Russo dominated Bette's life and her career, in terms of the job his advice was impeccable. Until The Rose, he turned down every film role that was offered, waiting for the one that would let her shine brightest. People laughed at the time, but on her European tour last year, he even demanded that...
...loft in Manhattan for their trips East. Calm and low-key, Riegert seems to be the grounding for Bette's electric charge, her steadying influence. On stage, says Midler, she is "a character without fear, who has no problem being vulgar or outrageous. But in my private life, I'm one of the most paranoid per sons in the world...