Word: lifes
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Dates: during 1990-1999
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...home, looking around at the smiling faces of parents and children and listening to the chitter-chatter of gossiping teens, I remembered youth and forgot all about med-school applications and Math 21a. I realized something very important in life--that it's okay to escape reality for awhile and dream a little. Give it a try. We won't tell anyone...
...check my hair and makeup....) If he hadn't been in the middle of his song, I'm pretty sure he would have proposed marriage. He waved, smiled and threw the teddy bear that he happened to be holding in his hand. I caught the teddy bear. My life was complete...
...Josh Oppenheim's paper suggests that today's graffiti is a return to the purest form of artistic expression--sketches and scribbles on cave walls. Oppenheim's paper quotes a graffiti artist who claims that "the art on the streets are the real life galleries." The most basic expression of anger and pride may well come from the streets, but can the rest of us understand them? The paper also quotes ethnologist Robert Colombo as saying, "After reading kilometers of walls one realizes that, whatever its meaning, here is what it means to be human." Can we look past...
...breaking point ("www.sh.com," "zip it," etc.). But some gags flopped miserably--Fat Bastard, most notably, was not only tired, but just flat-out gross. There's the feeling--so prevalent among sequels--that the Austin Powers concept has been milked to the bone. Parodies have a short shelf-life--they only last until new material arrives. And, of course, the "spy" genre isn't very trendy anymore. If the makers decide to spawn more sequels, I have no doubt that Austin Powers will stray further and further from the original concept and more towards the sight and shock gags inundating...
...level, and it quickly becomes a defining motif of almost all of his films. Notting Hill, Grant's first feature of the summer, is no exception. As bookstore owner William Thacker, Grant revels in his characters inability to get anything in order, whether it's his business, his love life or his housing situation. Enter Julia Roberts as the hopelessly flaky and confused American superstar Anna Scott, and you have a match made in heaven. Watching these two lost souls come together, though, is something like an exercise in emotional sadism. Without any sense of irony, they play at love...