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...Really the reason I ran was to bring other people’s ideas to life,” said Cheung, a joint student at Harvard Kennedy School and the MIT Sloan School of Management...

Author: By Sarah J. Howland, CRIMSON STAFF WRITER | Title: Asian-American Elected to Council | 11/6/2009 | See Source »

...along with the unfolding of the narrative, is tremendously faithful to Dickens’ tale and sure to please literary purists. In fact, nearly all of illustrator John Leech’s original paintings and woodcuts are closely recreated, making the film truly seem like the novella come to life. There are naturally some drawbacks to this somewhat slavish approach. Many scenes involving the ghosts are likely to frighten small children, and viewers hoping for a few narrative twists—like those in Zemeckis’ 2007 adaptation of “Beowulf”—will...

Author: By Bram A. Strochlic, CRIMSON STAFF WRITER | Title: A Christmas Carol | 11/6/2009 | See Source »

...transition, while standardizing arm movements are added to an ensemble segment. Kuperman stops Kevin Shee ’11 to give him a pointer on the artistic delivery of his solo entrance: “This needs to be so grounded—like a mummy coming to life. Everything starts in the core of the body.” Shee follows Kuperman’s example, inhaling sharply to incorporate the tense, almost convulsive movement into his body language...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

...music begins, heightening as each of the “statues” is brought to life with powerful “fouette” jumps and fluid promenades on black boxes-turned-platforms. The subdivisions of the beat are inaudible, but the dancers move with a rhythmic cohesion built on a collective understanding of musicality and awareness of each others’ bodies...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

Shee comes to life with a triple piourette into a few more turns in “coup de pied,” tacking on a double tour jump just for kicks. The other dancers flood center stage and crowd around him, relegating Kuperman’s frustrated character (the sculptor) to stage right...

Author: By Monica S. Liu | Title: Pointe of Departure | 11/6/2009 | See Source »

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