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...intellectual banter, witty academic satire and thoughtful portrayal of religious life and community—all of which make this a far more elegant and effective work than any new atheist polemic—“36 Arguments for the Existence of God” still simplifies its subject, and so falls short of meeting its own ambitious standards. A novel that considers rational religionists and non-materialists on their own terms, while maintaining its strong intellectual reservations, would make a worthy sequel to this excellent but incomplete entry into the genre...
...after all, Carson’s delicate efforts toward finding consolation that provide the driving force of her book. Towards the beginning of her journal, it seems that Carson tries to comfort herself through telling the story of her brother’s life: “My brother ran away in 1978, rather than go to jail. He wandered in Europe and India, seeking something, and sent us postcards or a Christmas gift, no return address. He was traveling on a false passport and living under other people’s names. This isn’t hard...
Interspersed with her exploration of the layers of her brother’s life, Carson similarly examines the layers of each individual word in Catullus’ elegy. Rather than attempting a simple translation, Carson displays entire dictionary entries on each Latin word in sequence with its appearance in Catullus’ poem. For the word “aequora,” for instance, she not only includes the direct definition—“a smooth or level surface”—but also an example of its usage, the translation of which...
...things humans do.” The study of history often raises more questions, Herodotos argues, than it resolves. Carson’s elegy is indeed similar to Herodotos’ concept of history. Although she does not fully arrive at an understanding of her brother’s life, Carson seems to find consolation through the very process that Herodotos describes. In its collage of images, definitions, and poetry, “Nox,” creates a powerful visual and literary rendering of this poet’s searching, collecting, doubting, and blaming in the wake...
...established. This startling contrast underscores the drama of the entire production. Directed by Ilinca Radulian ’11, and playing at the Loeb Experimental Theater until April 24, “The Pillowman” is a dark and comedic theatrical experience whose character-driven plot comes to life with the skillfully nuanced acting of a four-person cast. Accented by glimmers of dark humor, creative props, and an unusual set, “The Pillowman” creates a haunting world of philosophical and psychological complexity...