Word: lifesize
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Dates: during 1940-1949
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One reason why artists like to do still lifes is because they are the easiest kind of painting. Models that stay put are a big help; and such typical still life subjects as apples, books, pipes, when carefully copied, have a kind of teasing charm-like candy in a showcase...
Humanized Mechanization. The only U.S. artist to rival Peale's mastery of still life was an Irishman named William M. Harnett. As sickly as Peale, Harnett was also dirt-poor to start with, took to painting still lifes because he could not afford live models. He made his dead...
The little lady with the bright grey eyes had peculiar tastes and peculiar ways. She would roam through back-country towns in her black Hupmobile, stopping at every antique shop and every likely-looking old house to ask permission to poke about a spell. She cared not a jot for...
Painting Priest. Hit of the show was Haiti's entry: 28 stiffly drawn, riotously colored genre paintings and still lifes by such esoteric unknowns as Hector Hyppo-lite, a voodoo priest who claims his brush is guided by St. John the Baptist; a 24-year-old ex-houseboy named...
Juan Gris, least-known artist of the four, was, with Picasso and Braque, a founder of Cubism, and remained, far more than they, a constant adherent of Cubistic methods until his death in 1927. Cold and monotonous at first glance, Gris' ascetically detached still-lifes reveal, upon longer acquaintance, an...