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Cotan's work oscillates between desire and denial. Its fruit and fish and vegetables are more sacramental than gastronomic, emblems of the variety of God's creation (one of Cotan's still lifes contains a chayote from Mexico, an exotic rarity in 16th century Spain). Your eye can't wallow...

Author: /time Magazine | Title: ART: FOOD FOR THOUGHT | 5/22/1995 | See Source »

This peculiar character was shared by other still-life artists in Spain, who turned their tables into arrays of symmetrical dishes and vases that have the liturgical solemnity of altars. Such abstraction persists even in the more materialistic work of Juan van der Hamen y Leon (1596-1631), whose "aristocratic...

Author: /time Magazine | Title: ART: FOOD FOR THOUGHT | 5/22/1995 | See Source »

The climax of the show comes at the right place, its end, with four still lifes by Francisco de Goya. Because Goya was supremely a painter of the human clay in all its aspects, we don't associate him with still life. But his powers of empathy were so vast...

Author: /time Magazine | Title: ART: FOOD FOR THOUGHT | 5/22/1995 | See Source »

On one wall, two Cubist still-lifes are displayed side by side, one by Braque, the other by Picasso. The second canvas is larger--perhaps only a coincidence, but it certainly symbolizes Picasso's overshadowing reputation. Completed within two years of each other and composed of the requisite mandolin, the...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

Two works not shown that might be displayed later (the exhibit will run well into the first couple of months of 1995) are two still-lifes of oranges by Picasso and the Fauvist Maurice de Vlaminck. If these works were placed side by side like the Picasso and Braque, each...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

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